
Gale’s needs are simple yet extraordinary: She wants works of excellence. Nothing less will do.
So what gets you in the mood? For writing, I mean. Does the muse give you an early morning wake-up call, or is nighttime the right time? Do you get those urges at mid-day? Or are you liable to go at it any time, day or night?
Any fan of Kevin Smith will immediately feel right at home with his fondness for four letter words…
In his memoir, In the Memory of the Map (University of Iowa Press, 2012), Christopher Norment introduces readers to cartography, otherwise known as map-making. Norment translates his experiences into written word through revealing his own map of life in pursuit of the trail ahead. It is through this picturesque book that readers are given a…
Graduate of Yale and Columbia Journalism School, Ted Morgan recounts his service to the French army in his memoir, My Battle of Algiers (Smithsonian Books, 2005).
Most writers are seekers, restless. If we were satisfied with the here-and-now, the exactly-as-it-is, there would be no call to wander, to imagine otherwise. We pick at all the seams. We pry the edges of “what if?” We are good at doubt and wonder, at the possible and maybe.
No matter your opinion about John D’Agata, recently under-fire for his slippery (some might say sloppy) handling of facts in his 2010 book, About a Mountain, the use of innovation (read: fudged facts) in nonfiction – which he argues is his right as the author, especially when helping foster a more artistic truth – created a genre, of sorts, situated between fiction and non, creative nonfiction, which even this magazine uses to define what it publishes every month.