No matter your opinion about John D’Agata, recently under-fire for his slippery (some might say sloppy) handling of facts in his 2010 book, About a Mountain, the use of innovation (read: fudged facts) in nonfiction – which he argues is his right as the author, especially when helping foster a more artistic truth – created a genre, of sorts, situated between fiction and non, creative nonfiction, which even this magazine uses to define what it publishes every month.
Q & A with Dinty Moore — Interview by Lori M. Myers
The Outsider by Fred Amram
Third Waterfall by MT Cozzola
Saint E’s by Ray Shea
Review: The Family Silver: A Memoir of Depression and Inheritance by Sharon O’Brien
The Medium by Nathan Evans
While We Await a Cure for Alzheimer’s: The Mother I Know by Corinna Fales
The Writing Life: Notes from an AWP Virgin by mensah demary
The Writing Life: How I Joined the Working Class & Yet Also Maintained My Sanity and Lofty Literary Goals; or How Following Virginia Woolf’s Instructions Is Tricky by Hilary Meyerson

A woman must have money and a room of her own if she is to write fiction. – Virginia Woolf — Women writers just love old Ginny. We quote her chestnut about the ‘room of one’s own’ at the drop of a pen. The quote isn’t limited to fiction, but writing in general. Usually, it’s centered around the “room” part – the need for a physical space









