Graduate of Yale and Columbia Journalism School, Ted Morgan recounts his service to the French army in his memoir, My Battle of Algiers (Smithsonian Books, 2005).
Editor’s Notes: April 2012
I thought about making an April Fool’s Day joke in our monthly email or hidden somewhere in the new issue, but I am terrible at making things up – that’s why I love nonfiction. It’s the brilliant stuff you CAN’T make up!
Writing Life: What if I never get that book deal? by Lisa Ahn
Most writers are seekers, restless. If we were satisfied with the here-and-now, the exactly-as-it-is, there would be no call to wander, to imagine otherwise. We pick at all the seams. We pry the edges of “what if?” We are good at doubt and wonder, at the possible and maybe.
Interview: Joshua Foer, author by Lori M. Myers
Writing Life: The fact of the matter: Mythology as creative nonfiction by William Henderson
No matter your opinion about John D’Agata, recently under-fire for his slippery (some might say sloppy) handling of facts in his 2010 book, About a Mountain, the use of innovation (read: fudged facts) in nonfiction – which he argues is his right as the author, especially when helping foster a more artistic truth – created a genre, of sorts, situated between fiction and non, creative nonfiction, which even this magazine uses to define what it publishes every month.







