Our archive of interviews with authors, publishers, agents, filmmakers, and other literary and publishing professionals.
We would call them feminists today. I don’t know if all four would have used that exact term, but they all really fought for women’s rights.
I had my black family and my white family, and I talk about the black side of town and the white side of town.
For this memoir, I wanted to bring the reader into my home, and to Edinburgh where I live.
As a writer and a reader, I’m searching for truth, honesty, ways of making sense of difficult experiences.
Organized in 15 nonlinear, braided essays, Reading the Waves by Lidia Yukanatich is about holding on and letting go. Mostly letting go.
Joanna Rubin Dranger’s graphic memoir … is a sobering, stunning chronicle of her Jewish family past and present.
We talk to Amy Fish about her researched nonfiction book, One in Six Million: The Baby by the Roadside and the Man Who Retraced a Holocaust.
It was in 2015, after I had moved to Poland, that I started writing. But it was not this book at all.
It was critical to the narrative to capture what it was like to be a child and experience what I did.
Sometimes I joke that making a graphic is probably the hardest, longest way to write a book.
